Moufida Tlatli - Samt el qusur aka The Silences Of The Palace (1994)

Samt El Qusur (1994)
123 min | XviD 720x432 | 1583 kb/s | 224 kb/s AC3 | 25 fps | 1.56 GB + 3% recovery record
Arabic | Subtitles: English, French and German .srt | Genre: Drama | MU/RS

The pain of servitude, the power of music, and the need for women to stick together provide the underlying themes for this Tunisian-French drama set in the ruling king's compound the night before Tunisia declared its independence. The story reflects the reminiscence of Alia, a 25 year old woman who was raised in the royal palace with her mother, Khedija, a lifelong servant there. One of Khedija's more odious tasks was to have sex with her masters. Alia has no idea who her father was. In the present Alia has an appointment for yet another abortion as requested by Lofti her boyfriend. When she hears that Prince Sid Ali died, she returns to the palace she ran away from 10 years ago. The palace is aging badly. As she returns, she finds herself confronted with all the memories she worked so hard to bury. She thinks about her unborn baby and begins to understand why her mother did not want her to become a servant.



Assimilated into the Turkish Ottoman Empire in the 16th century, Tunisia became a French protectorate in 1881 until President Habib Bourguiba, leader of a two-year guerrilla war for independence, declared Tunisia a republic in 1957, ending the rule of the former Ottoman Beys. Winner of the Cannes Jury Prize in 1994, Tunisian director Moufid Tlatli's Silences of the Palace depicts the oppressive nature of the male-dominated palaces and the price that women servants had to pay. Required not only to cook and clean, but to serve the sexual needs of the princes, Silences shows the consequences in the lives of two strong-minded but vulnerable women: Khedija (Amel Hedhili) and her young daughter Alia (Hend Sabri).

The film opens in the 1960s. Alia (Ghalia Lacroix), is now 25 and performing as a night club singer. Though she is nominally free, she is beholden to a man who refuses to marry or have children. When she learns of the death of Prince Sidi Ali (Kamel Fazaa) she returns to the palace in which she grew up to pay a condolence call to Ali's near-blind widow (Najia Ouerghi), a visit that opens the floodgates of memories. Told in flashbacks, the film shows Alia as a pre-adolescent becoming increasingly aware of her own body and sadly, of her mother's true role in the palace. Alia is a gifted singer and the musical numbers in the film are hauntingly beautiful but nothing can hide the torment the young girl faces in trying to find out who her father is and to sort out where she belongs. The performance of Ms. Sabri is wondrous as she conveys the confusion of coming of age in a non-nurturing environment while still maintaining her charm and enchanting us with her songs.

Tlatli, in her first feature film, never shoots outside of the palace interior, conveying the sense of oppression and isolation though the servants listen on the radio to news about the growing struggle for independence. The women are strong and resilient, however, in spite of what they must face each day. Though Khedija tries to protect her daughter from the same fate she suffers, she knows that her power is limited. "If a man touches you, run away,'' she tells her, "Your place is with me in the kitchen." When Alia suggests that they both leave together, her mother can only respond "Where would we go? This is the only home I've ever known." While Tlatli bravely challenges the institutions that led to male dominance, there is a tone of resignation and acceptance in the silences that suggests the subservient role many women play in Moslem countries to this day. Silences of the Palace is a lovely film but one that left me with a sense of aching loss.


Les silences du palais
Alia, jeune femme tunisienne, chante dans les fêtes traditionnelles. Dehors, l'attend dans une voiture son ami, Lofti. Enceinte de lui, elle lui propose de garder cette fois l'enfant qui doit naître. Lofti refuse, comme toujours depuis dix ans, d'engager leur vie de cette façon. C'est à ce moment qu'Alia apprend la mort du prince Sid Ali, son ancien maître et protecteur vivant chez qui elle a passé son enfance. De retour au palais du prince, elle revoit les images cruelles de sa jeunesse, de sa mère, des servantes, avec lesquelles elle a partagé des années de sa vie, des années de soumission et de souffrance. Elle y est née de père inconnu, bien que tout laisse à penser qu'elle soit la fille naturelle du prince. Le silence reste la règle. Sa mère est morte sans rien révéler, esclave jusqu'à la mort des habitants du palais qui l'ont achetée à l'âge de 10 ans pour les servir, en tant que servante, cuisinière, courtisane, danseuse... Pour Alia, ç'eût pu être la même vie si elle n'avait pas fui avec Lofti, le précepteur des enfants légitimes, représentant la modernité et donc la liberté. Pourtant, dix ans plus tard, Alia se retrouve encore face à une vie de femme bien peu enviable. Un film magnifique plein de sentiments et de réflexions sur la condition féminine, tout de sensibilité et de couleur.



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